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He stands outside normal bourgeois life, highly critical of its pinched morality and narrow concerns for money and family.As Camus put it in an afterword he wrote for the American edition of the book: “Meursault doesn’t play the game. he says what he is, he refuses to hide his feelings – and so society immediately feels threatened.”it’s like to press the trigger, rejects all consolations and heroically accepts the universe’s total indifference to humankind: “My last wish was that there should be a crowd of spectators at my execution and that they should greet me with cries of hatred.” is one we are all liable to have some experience of…We were not put here by a benevolent deity and asked to work towards salvation in the shape of 10 commandments or the dictates of the holy gospels. And it’s this realisation that lies at the heart of so many of the crises reported by the thinkers we now know as Existentialists.
Set in Camus’s native Algiers, it follows the story of a laconic, detached, ironic hero called Mersault – a man who can’t see the point of love, or work, or friendship – and who one day – somewhat by mistake – shoots dead an Arab man without knowing his own motivations and ends up being put to death – partly because he doesn’t show any remorse, but not really caring for his fate one way or the other.
, Meursault cannot accept any of the standard answers for why things are the way they are.
Camus won the Nobel prize for literature in 1957 – and died at the age of 46, inadvertently killed by his publisher Michel Gallimard, when his Facel Vega sports car they were were in crashed into a tree.
In his pocket was a train ticket he had decided not to use at the last minute..
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